Review: ‘Midian Unmade’ edited by Joseph Nassise and Del Howison

Midian Unmade edited by Joseph Nassise and Del Howison
Tor (July 28, 2015)

MidianUnmadeTwo of Clive Barker’s most famous mythologies – the worlds of Hellraiser and Nightbreed – have proven to be rich playgrounds for other creators. In addition to film, both have been interpreted in comics and, now, anthologies. The world of the Cenobites was explored by several top genre authors in 2009’s Hellbound Heartsnow, with this week’s release of Midian Unmade, the Nightbreed get the same treatment.

The Nightbreed first appeared in 1988 in Barker’s short novel Cabal. Like the movie Hellraiser, which Barker adapted from his novella “The Hellbound Heart,” the author was tapped to write and direct the film version of the book. Nightbreed managed to be both a faithful adaptation and something of a hot mess all at the same time, thanks in no small part to studio over-involvement. A long-clamored-for director’s cut of the movie was recently released, and now the Nightbreed are getting more attention with this new anthology.

All of these stories take place after the events of the book and film. SPOILER TIME: In short, the Nightbreed, a race of creatures with varying abilities, appearances and ferocity, had found a safe haven to live away from humans, a place they called Midian. A man named Boone finds his way to Midian, is “turned” into one of them, and unwillingly brings about the destruction of their sanctuary. As the surviving Nightbreed scatter, Boone, now Cabal, promises to find them a new safe place, where he will gather them together once again.

Now, that’s a natural place for follow-ups like these stories to take place, following different members of the Tribe as they try to make their way in a world that hates and hunts them; however, it’s also somewhat limiting. Many of the authors represented here were drawn to the themes of loneliness and longing to belong that Barker’s original work concentrates on, and while that makes for some powerful fiction, it also results in a sense of sameness that permeates the collection, especially throughout the first half of the book.

A handful of later stories stray from these themes, and a couple of those stand out as my favorites. C. Robert Cargill’s “I Am the Night You Never Speak Of” is a brutal tale of a Nightbreed who feeds on the sin of others, ultimately satisfying himself with the corruption of a human and the destruction of a fellow Nightbreed. “Wretched,” by Edward Brauer, is the disturbing, atmospheric story of an unhappy family, their lonesome friend, and the scary old man they rescue at sea.

There are several other memorable stories in Midian Unmade, many of which feature direct callbacks to the source material. If you’re familiar with names like Boone, and Baphomet, and Lylesburg, and Peloquin, and Decker, you’ll find plenty of material here to make you happy. Those coming into this collection without first-hand knowledge of the Nightbreed’s story need not worry; while it’s infinitely more rich and rewarding material if you’ve read the book or seen the movie, things are explained adequately enough (multiple times) to ensure that confusion won’t get in the way of your enjoyment.

While I would have loved to see more stories about the Nightbreed before they came to Midian, or while they were in Midian, rather than an overload of stories after Midian’s fall, I still believe Midian Unmade serves the source material and its creator well. Fans of Clive Barker, or of good dark fiction in general, will want to be sure to add this to their shelves.

Review: ‘The Redeemers’ by Ace Atkins

The Redeemers by Ace Atkins
G.P. Putnam’s Sons (July 21, 2015)

RedeemersCoverNow that we’re five books in, the world of Ace Atkins’ “Quinn Colson” series is well-stocked with characters, events, and history. Colson is still the man around whom the stories revolve, the moral center of his family and, whether he believes it or not, all of Tibbehah County; but Atkins has been careful to build up a strong supporting cast along with him. That work pays off handsomely in The Redeemers, in which Colson takes a bit of a back seat while several characters old and new get a chance to shine.

The book opens with Mickey Walls and Kyle Hazlewood, a couple of buddies shooting the breeze at the Huddle House. Mickey guides the discussion to the subject of Larry Cobb, local lumber baron and Mickey’s ex-father-in-law. Larry hasn’t been too nice to Mickey in the wake of his divorce from Tonya, Larry’s daughter, and Mickey has heard that Larry might have screwed Kyle out of some money a while back. They talk about the safe Larry keeps in his house, the one stuffed with money that Larry is afraid to put in a bank. They talk about how ol’ Larry has screwed over a lot of people in Tibbehah County, and wouldn’t it be some fine justice if somebody was to hit the old man where it hurt?

If the guys had stuck to simply venting their frustrations to each other, things would have been better for both of them. Instead, they put together a plan to carry out their little revenge fantasy. That’s bad decision number one. Bad decision number two falls squarely on Mickey, who enlists the help of a couple of “professionals” from Alabama to help carry out the job.

Peewee Sparks is a sloppy, foul-mouthed sloth who loves two things above all else: telling tales about his sexual conquests, and Alabama Crimson Tide football. Chase Clanton is Peewee’s nephew, a dim-witted young man with aspirations to be a hardened criminal, and a love of Alabama Crimson Tide football that rivals that of his uncle. These two spend the book drinking cheap beer, riding around in a van with a mural of Alabama football coaches Bear Bryant and Nick Saban, former Alabama quarterback AJ McCarron and the Lord Jesus painted on the side, and generally bungling every part of Mickey’s scheme they get their hands on.

These two characters are the worst possible representations of Southern men that I can imagine, but don’t dismiss them as over-the-top caricatures. As a life-long Alabama resident, I can tell you that the characterization is, unfortunately, dead on. Not for ALL Southern men, mind you; but they do represent a very small, very disturbing, minority. I’ve met these men, pumped gas alongside these men, stood in line at Wal-Mart with these men, and watched football games with these men. They exist. God help us, they exist.

Anyway, these two buffoons roll into town to help Mickey and Kyle, and things go downhill fast. A house is wrecked, a deputy is shot, and Peewee’s safe-cracking skills prove to be about as legitimate as his sex stories. And, unbeknownst to this foursome of master criminals, there’s information in Larry Cobb’s safe that some very bad men are willing to do very bad things to keep covered up.

Where’s Quinn Colson in all of this? Well, he’s out of a job – Rusty Wise has been elected sheriff, and his first day on the job is the day of the robbery at Larry Cobb’s house. While Quinn considers his future (featuring such options as farming with his long-estranged, recently returned father; reuniting with his still-married ex-wife; or going to Afghanistan for some security work), deputy Lillie Virgil is trying to bring her new boss up to speed while working the Cobb case. Meanwhile, Quinn’s sister has fallen off the wagon and shacked up with some crackheads in Memphis.

Atkins juggles all the plot threads and characters with a deft hand, and the story breezes along on the strength of his comfortable, conversational prose. Atkins also writes books in Robert B. Parker’s “Spenser” series, and the way he maintains the stylistic differences between the two – the “Spenser” books with their clipped, economical prose, versus the back porch storytelling style of the “Quinn Colson” books – is staggering.

The Redeemers is a big book for the series as a whole. This seemingly small-time heist ultimately results in a major shake-up for some longtime characters and for Tibbehah County as a whole. Atkins clearly isn’t interested in simply maintaining the status quo, and that’s a good sign for the long-term health of this series. The Redeemers – and the “Quinn Colson” series as a whole – gets my highest recommendation.

Review: ‘Bull Mountain’ by Brian Panowich

Bull Mountain by Brian Panowich
G.P. Putnam’s Sons (July 7, 2015)

BullMountainBrian Panowich makes a blistering debut with Bull Mountain, a multi-generational family saga and a withering expose of outlaw life.

The story begins in 1946 as three members of the Burroughs clan, including 9-year-old Gareth, hunt deep in the woods of Bull Mountain, discussing the future of the family and their land. Rye Burroughs thinks selling the timber rights on part of the family’s land is a good idea; his brother, Gareth’s father Cooper, strongly disagrees. The way in which Cooper expresses his opposition sets a brutal tone, both for the remainder of the novel and for the direction of young Gareth’s life.

After this gripping first chapter Panowich jumps ahead to 2015. Another Burroughs, Clayton, is sheriff of McFalls County, Georgia. While Clayton’s official jurisdiction includes Bull Mountain, everyone knows Clayton’s brother Halford is the real law up there. Halford embodies the family’s love of outlaw living, but his decision to change cash crops from marijuana to meth is bringing a new element of danger to life on the mountain. Clayton, meanwhile, is determined to live a different kind of life than the rest of his family. He and Halford have maintained an uneasy distance for most of their adult lives, but the arrival of one Special Agent Simon Holly is about to set them on a tragic collision course.

Once all of the major players are established, Panowich bounces back and forth in time, showing the roots of old grudges and the consequences of past decisions. While the book isn’t loaded with traditional cliffhangers, he does have a knack for heating things up in one timeline and then moving you back (or forward) to the other. There’s a point towards the end where I thought this technique was going to backfire on the author, as Panowich focuses some major time on a seemingly minor character. It struck me as a pleasant enough diversion that nonetheless had me impatient to get back to the main story. “This should be a book of its own,” I thought, and then Panowich revealed this “minor” character’s real role in things, and I realized the guy knows what he’s doing, so maybe I should just sit back and enjoy the ride.

In an interview that accompanied the advance copy of the book, Panowich talked about his desire to write more books about Bull Mountain – not direct sequels, necessarily, but stories featuring other characters in his fictional Georgia setting. I love when authors build whole worlds and populate them with believable characters – Panowich mentions Elmore Leonard’s approach, and of course I think immediately of Stephen King and the way he would revisit places like Castle Rock and Derry.

Bull Mountain is a pitch black novel, but it’s tinged with real hope, and that’s something that separates it from the pack of meth-and-outlaw-fueled Southern fiction that’s all the rage these days. Brian Panowich has charted his first few steps in what I believe is going to be a rich and rewarding career, and I’ll happily follow him down whatever path he takes next.

Review: ‘Mercy House’ by Adam Cesare

Mercy House by Adam Cesare
Hydra (June 9, 2015)

Remember that scene in The Return of the Living Dead, when Linnea Quigley’s character is describing her idea of the worst way to die?

“Well, for me, the worst would be for a bunch of old men to get around me and start biting me and eating me alive.”

MHIt’s a nightmarish image for a variety of reasons. I don’t know if  Adam Cesare had this quote rattling around in the catacombs when he conceived Mercy House (out now in various digital formats from Hydra), but the imagery he conjures up in the book makes Quigley’s throwaway line pale in comparison.

Mercy House is a huge Gothic mansion that now serves as a nursing home for elderly residents. As the book opens, Don and Nikki Laurel arrive with Don’s mother, Harriet, in tow. Harriet is in the early stages of dementia, a condition that is particularly straining on her already complicated relationship with her daughter-in-law. The three are whisked around campus by a cloyingly chipper tour guide, a woman in expensive clothes who has had plenty of practice spinning even the most depressing elements of retirement home living into polished gold. The tour culminates in a dinner attended by several members of the staff and some of the higher- functioning residents – and that’s when all hell breaks loose.

Something has been brewing at Mercy House all day, something only the residents have been able to detect. Residents have been feeling stronger, fresher, and sharper than they have in years. One woman emerges from a months-long coma with surprising strength and a noticeable change in demeanor. But the changes go beyond helping these old, broken-down people feel better – they continue to evolve; their base instincts become amplified, and it doesn’t take long before any semblance of civility or self-control is abandoned.

The dinner erupts into a shocking bloodbath, and chaos simultaneously breaks out all over Mercy House. The residents soon form loose factions and begin hunting down the young, unaffected staff members for a variety of purposes: a group of military veterans seek to control the facility’s food and drug supply using brutal tactics; others roam the hallways
seeking to violently settle old feuds with staff members and fellow residents; another group, led by a woman known around Mercy House for her insatiable sexual appetite, heads down to the facility’s lower levels to indulge in more carnal pleasures.

I know I’m being almost coy in my descriptions here; rest assured that is not the approach the author takes. Cesare has always brought a cinematic feel to his writing, and Mercy House is no exception. Spilled blood, broken bones and geriatric sex are all unspooled with gleeful abandon by the author, who has yet to meet a taboo he’s afraid to describe in vivid terms.

But it should be noted that Mercy House marks another step forward for Cesare, who continues to hone the elements of his work that go beyond blood and guts. His pacing and characterization gets better with each new release, and there’s a growing maturity to his work that’s a joy to see. Cesare has written a lot of good horror in his short career; I think, eventually, he’s going to write something great. In the meantime, Mercy House is the kind of no-holds-barred thrill ride that horror junkies like us love to find. Download and digest it at your earliest convenience.

Review: ‘The Border’ by Robert McCammon

The Border by Robert McCammon
Subterranean Press (May 2015)

BorderCoverWhen Robert McCammon made his return to writing and publishing back in 2002, I wondered if he’d ever write horror again. I wouldn’t have blamed him if he didn’t; after all, it was the way short-sighted publishers pigeon-holed him as a “horror writer” that played a major part in his decade-long absence. Once he returned and his series of historical thrillers (the Matthew Corbett series) began to take hold, I figured McCammon had chosen a new, permanent direction; and again, who could blame him? With each book, he was proving that restricting him to one genre was a huge mistake. Beyond that, he was finding joy in his work, the greatest reward any artist can ask for.

Then came the news, nearly ten years after his triumphant return, that he was revisiting a classic character from his past: Michael Gallatin, the spy/werewolf from The Wolf’s Hour. A couple of years later we got I Travel by Nighta new vampire novella. And now comes The Border, and it feels like McCammon has come home, writing the kind of sprawling, epic horror that he churned out so effortlessly at the beginning of his career.

The Border opens two years after alien forces appeared on Earth. Rather than working together to conquer the planet, these two races – the Gorgons and the Cyphers, as they came to be called – were at war with one another. Our planet was reduced to a piece of real estate they were fighting over, although no one knew why it was important to them. Neither race appeared to have much interest in preserving the planet’s resources, or its population, and by the time McCammon brings us in, there’s very little of either left. Our weapons are all but useless against them, and civilization has been reduced to small, scattered pockets of survivors. It’s a hopeless situation.

And yet, this is a novel full of hope, much of which is embodied in a young boy named Ethan. Ethan has no memory of who he really is, and very little understanding of what he is becoming. But it’s soon apparent to Ethan – and to the people of Panther Ridge, the housing complex-turned-fortress where Ethan is taken in – that he’s becoming something other than human. Something that might be able to end this war once and for all.

The_Border_by_Robert_McCammon_Signed_Limited_Edition_CoverNow, I understand that I’ve already characterized this as horror, but have so far described a plot heavy on the science fiction side. Make no mistake – it’s both. I personally tip it to the horror side for a couple of reasons: A) because apocalyptic scenarios are frightening to me; and B) because of the Gray Men. The Gray Men are mutants, they are cannibals, and they are utterly terrifying. They are beings of constant hunger, and the manner in which the pollution of the alien war transforms these poor, wretched people is nothing short of horrific. There are several incredibly tense scenes involving the Gray Men in The Border, each of them a testament to the power of McCammon’s imagination and craft.

If you’ve read any review by me here or elsewhere on the Internet, you know that it’s my opinion that the most important element of a book or story is the characters. If I’m not reading about people I can care about and invest in, it’s going to be difficult for me to say nice things. That’s not a problem here. The cast is well done from top to bottom, from tough-guy-with-a-heart Dave McKane to strong, confident Panther Ridge leader Olivia Quintero to silver-tongued shyster Jefferson Jericho. But the real triumph is Ethan. By the time we meet Ethan, he’s not the boy he once was; in fact, the boy he once was is barely there at all. That we not only come to care so much for the being that Ethan is becoming, but also the fragments of the human left in its wake, is another great accomplishment by the author.

I’m not going to touch on the ending – spoilers aren’t my thing – but I’m very curious as to how it’s going to play to other readers. It’s the kind of solution that, if not handled carefully, could be seen as a gimmick or a cheat. But in McCammon’s skilled hands it played just right to me, and was really all I could hope for in a resolution to this particular story. It ties things up neatly, and yet leaves the door wide open for other possibilities at the same time.

The Border is a big book with the kind of epic, time- and place-spanning feel of other big books like The Stand. It’s also amazingly focused, using its 400+ pages to follow a specific path that its many detours and side trips can’t muddy. It’s the kind of book you get lost in, and emerge from wondering where the time has gone, and when you’re done you wonder how you read it that fast. It’s a book that has cemented my intention to follow Robert McCammon down whatever path, into whatever genre, he chooses to go.

Review: ‘Rumrunners’ by Eric Beetner

Rumrunners by Eric Beetner
280 Steps (May 2015)

RRCoverCriminal empires share many commonalities with more legitimate businesses; including the fact that they are often built on the backs of blue collar workers, the faceless worker bees and foot soldiers that bear the brunt of the labor and receive little or no glory. In Rumrunners, the empire is the Stanley family, and the worker bees are the McGraws. The Stanleys and McGraws have worked together since the early bootlegging days, but as time has moved on things have changed. For one, it’s no longer a few cases of booze the Stanleys want moved; it’s high-dollar inventory at higher stakes. For another, the current McGraw generation – i.e. Tucker McGraw – wants nothing to do with the old family business. And he’s determined to keep his son, Milo, away from it as well.

When Tucker’s father, Webb, goes missing after a job gone wrong, Tucker finds himself being drawn into the situation against his will. The Stanleys want to know what happened to Webb, and of course they have a strong interest in the cargo he was handling. Calvin McGraw, Webb’s father and Tucker’s grandfather, wants to know, too; but more than that, he sees this situation as a way to get himself back in the action, and to maybe get his reluctant grandson in on it, too.

Family (and the tension that goes along with family) is a major theme in Rumrunners. The new generation of the Stanley family is having to deal with dangers and consequences that reach far beyond anything they faced in the old bootlegging days. The McGraws are facing new challenges as well; for Tucker, it’s the challenge of remaining true to his family, but in his own, non-criminal way; for Calvin, it’s the challenge of ensuring his family’s legacy and purpose didn’t disappear with Webb.

Now, it may seem at this point that the novel we’re talking about is some kind of quiet, introspective meditation on family. Make no mistake, it’s a crime novel first and foremost, and all this family tension is taking place in the midst of some brutal fights and plenty of car chases. Beetner works hard to create well-rounded characters, and then places them in
increasingly dicey situations. He also tries to fit in a little comic relief now and then, mostly in one crew’s bumbling attempts to reclaim a car Calvin took from them. Comedy in the midst of crime is hard to pull off, and Beetner’s efforts don’t always work, but they don’t detract from the meat of the story, either.

Rumrunners is a quick, fun read with some characters I wouldn’t mind revisiting in the future. There are times when I felt like the writing could use a little more grit and authenticity, but overall I think it was a good introduction to Beetner’s work, and I look forward to reading more of his stuff in the future.

Review: ‘Kickback’ by Ace Atkins

Kickback by Ace Atkins
G.P. Putnam’s Sons (May 19, 2015)

KickbackAce Atkins continues to hit all the right notes as curator of Robert B. Parker’s “Spenser” series in Kickback, the 45th overall Spenser novel and the fourth written by Atkins. In this latest adventure we get to watch as Spenser connects dots that run from a private juvenile detention facility in Boston Harbor, through a couple of buddy-buddy judges in Blackburn, Massachusetts, all the way down to the sunny beaches of Tampa, Florida. Along the way we’re treated to Atkins’ flawless approximation of Parker’s style as he maintains the sharp plotting and witty banter that helped make Spenser so popular in the first place.

Kickback opens with a woman walking through Spenser’s door with a sandwich and a problem – two things guaranteed to get a response from the private investigator. Sheila Yates is looking for help for her son, Dillon, who’s serving time at a local juvenile detention facility because he set up a fake Twitter account as a prank on his vice principal. Like many of Blackburn’s youth, Dillon has run afoul of the town’s famous “zero tolerance” judge, Joe Scali. Scali believes in no free passes and no breaks, sentencing  kids to months-long stretches for the slightest indiscretions. As Spenser begins to nose around the case, he finds that Scali’s intentions may be less about reducing juvenile crime and more about increasing his personal wealth.

I won’t go any further into the plot, because the main appeal of the series is joining Spenser and his cast of supporting characters (Kickback includes appearances by Hawk and, of course, Spenser’s lovely constant companion, Susan) as they go through their paces. Atkins does a great job of exploring the ways P.I. work can go from routine to deadly with little notice. He also knows the perfect time to drop in the little details that enrich the characters and the world they inhabit – the clothes they wear, the food they eat, and, more importantly, what those things say about them as people.

Is it formulaic? Yes. Atkins is not out to upend the world Parker created. Spenser is basically the same man at the end of the book as he was at the beginning, and that’s the way we like it. It’s comfort food, and when done right, there’s nothing better than comfort food. If you prefer to see Atkins unfettered by rules he didn’t create, check out the next book in his series about Mississippi sheriff Quinn Colson (The Redeemers, out on July 21). But until then, join him as he takes a walk in the well-worn shoes of one of our best mystery writers. With every new Spenser novel, he proves that the trust placed in him by Robert Parker’s family to continue his legacy was well-founded.