Stinger by Robert McCammon
Subterranean Press (October 2015)
In Stinger, Robert McCammon spins the relatively straightforward tale of a benevolent alien who crash lands in the small Texas town of Inferno. Unfortunately for that alien, and for the citizens of Inferno, there’s a second alien in pursuit of the first; a bounty hunter with far more aggressive tendencies. This simple storyline unfolds across one 24-hour period, and yet it takes McCammon more than 600 pages to tell his story.
Bloated? Padded? Not in the slightest, and shame on you for even entertaining the thought. This is epic, apocalyptic storytelling on a small scale. No, 600 pages is not small, but by narrowing his focus to one event in one location, McCammon leaves himself plenty of room to build a vivid cast of characters who are in way over their heads, while life-changing (and potentially world-changing) consequenes hang in the balance.
McCammon has long been known as a horror writer, a label he’s struggled with throughout his career. There are certainly horrific elements in Stinger (the bounty hunter is very, um, goal-oriented, and is not afraid to leave a fair amount of human carnage in its wake), but the book leans heavily toward sci-fi. Much like his recent novel The Border, McCammon uses
those sci-fi trappings not to induce awe and wonder, but terror and dread, making Stinger the kind of hybrid that will leave fans of both genres with plenty to be happy about.
Another surprise in a book this size? The blistering pace. Again, let me draw a favorable comparison to The Border, which clocked in at nearly 500 pages that absolutely flew by. Even early in his career (Stinger was originally published in 1988), McCammon was a master at seamlessly weaving plot advancement and character building. There are many compelling characters with interesting side-stories in Stinger – the two young leaders of opposing gangs; the PTSD-suffering war veteran; the alcoholic father; the ineffectual sheriff, to name just a few – and when McCammon wanders off the path to examine their situations more closely, I doubt you’ll mind at all.
But it’s not all diversion and introspection. McCammon also knows how to write the big set pieces, and there is carnage a-plenty to be found in Stinger. The bounty hunter’s methods of travel and disguise are destructive to buildings and bodies alike. The town of Inferno, quivering on the edge of financial ruin at the book’s beginning, is literally in ruins by the book’s end.
In Stinger, McCammon strikes a near-perfect balance between B-Movie thrills and more serious themes. Kudos to Subterranean Press for adding this to their long list of resurrected, refurbished McCammon classics.